Sony A7S Review

12.20 Megapixels	Sony E-mount Full Frame	35mm size sensor

Basic Specifications
Full model name:	Sony Alpha ILCE-A7S
Resolution:	12.20 Megapixels
Sensor size:	35mm
Kit Lens:	n/a
Viewfinder:	EVF / LCD
ISO:	50-409600
Shutter:	30-1/8000
Max Aperture:	n/a
Dimensions:	5.0 x 3.7 x 1.9 in. (127 x 94 x 48 mm)
Weight:	17.2 oz (489 g) includes batteries
MSRP:
Availability:
Manufacturer:	Sony

Sony A7S Review -- First Impressions

Sony really redefined what full-frame photography could be in the fall of 2013, with the introduction of the A7 and A7R, by far the smallest full-frame, fully-featured interchangeable lens cameras we'd seen to date. Now, the Sony A7S is poised to similarly redefine the world of 4K video and low-light still shooting.
Rather than chasing ever more pixels, the Sony A7S takes a conscious step back, featuring an all-new 12.2-megapixel sensor with huge pixels -- by current standards, at least -- as well as some unique tweaks aimed at increasing dynamic range. The combination promises unprecedented low-light performance. By default, the Sony A7S has a sensitivity range of ISO 100 to 102,400 equivalents for still imaging, and ISO 200 to 102,400 equivalents for video. This range can be expanded for still shooting to encompass everything from ISO 50 to 409,600 equivalents in still shooting, and ISO 200 to 409,600 equivalents for video.

We've thus far heard only hints of it in a briefing call, but there's apparently some new sensor technology at play in the Sony A7S, beyond just its bigger pixels. We were told that the A7S sensor can, with some paraphrasing, "adjust its gain corresponding to its environment. It essentially adjusts its dynamic range accordingly, so that it is able to optimize the dynamic range for each ambient environment, whether dark, bright, harsh lighting, etc."
That's intriguing, but doesn't really tell us much about how it actually works. Itsounds like the sensor itself is able to change the level of its output relative to photons received, rather than the system simply amplifying the signal once it gets off-chip -- but that's all just speculation on our part at this point. We'll try to get some more technical details on this shortly.

The Sony A7S' sensor size (including the area used for video capture), compared to the corresponding areas of APS-C and Super 35mm.

While we've seen a similar ISO range from the Nikon D4s, the Sony A7S's bigger pixels and special sensor architecture promise significantly lower noise levels. As always, we'll withhold judgment until we have a chance to test a sample in our lab, but we're excited by the prospect.
No less important is the fact that the chip can output extremely high-quality, 16:9-aspect, 4K video without line-skipping, pixel binning or downsampling. It's not quite a native sensor readout, as there's still an approximate 1.1x focal length crop, but it's the closest to full-sensor width video we've yet seen from a full-frame imager. By contrast, Canon's EOS-1D C has a 1.3x focal length crop for 4K video, using only an APS-H sized area of the sensor.

The Sony A7S can't record 4K video directly, but can output an uncompressed 4:2:2 4K video feed via HDMI. You can use the same approach for Full HD video, or alternatively, opt for a choice of XAVC S or AVCHD codecs. Vanilla MP4 is also possible at 1,440 x 1,080 or below.

The A7S' near-full width 4K mode means you maintain most of the wide-angle capability of your lenses, have more of the shallower depth of field of full-frame area, and still avoid the sort of artifacts caused by the line-skipping approach used in almost all other DSLRs.

It's also important to note that the Sony A7S can't record 4K video directly to the internal memory card, but rather passes a clean, uncompressed (8-bit, 4:2:2) 4K 30p/24p stream over its HDMI connection, where it can be recorded on an external device. The reason for this is that the processing required to encode and record the 4K signal internally would have generated far too much heat within the camera body.
The A7S can record full HD video internally, though, and even offers a choice of AVC codecs. Beyond the standard AVCHD format, the Sony A7S also supports the XAVC S codec, previously found only in Sony's high-end Handycam professional camcorders. The XAVC S codec was designed to be able to accommodate 4K video, but in the case of the A7S provides high-bitrate full HD, at 50 Megabits/second.

At Full HD resolution (1,920 x 1,080), the Sony A7S can record at frame rates of 60p, 60i, 30p, and 24p directly to the card. The camera can also record in APS-C mode -- what Sony calls "Super 35mm-equivalent" -- if desired, and in that crop mode can support a high 120 frames per second rate while shooting at 720p (1,280 x 720 pixel) resolution, creating a 5x slow-motion effect.
The Sony A7S also supports what's known as S-Log2 gamma, a tone curve borrowed from Sony's pro video recorder line that greatly expands the practical dynamic range of its videos. This special gamma function applies a strong logarithmic tone curve to the sensor's output, rolling off the highlight end of the curve to preserve highlight detail. Viewed without a corresponding tonal expansion, the resulting video will look very flat, but the dynamic range is expanded over linear encoding by 1,300%, providing enormous dynamic range that can be exploited in post-production.
Other pro-level video functions include the ability to save "picture profiles", that include settings like gamma, black level and color adjustments. These settings can be shared across multiple A7S bodies, to ensure consistency in multi-camera shoots. The Sony A7S also provides time-code (free-run and rec-run), the ability to synchronize with external devices, marker and zebra displays on both the LCD screen and viewfinder, and can record dual XAVC S as well as MP4 simultaneously (MP4 at 1,280 x 720/30p).

As with other cameras in Sony's line, the A7S has what the company terms the Multi-Interface Shoe, a proprietary hot-shoe that can provide XLR audio input via the XLR-K1M adapter kit. As part of the A7S announcement, Sony also said that it was developing another mic adapter kit "allowing use of professional microphone systems", but gave no further details. (Perhaps a system that would provide 48-volt phantom power over the XLR connection? We don't think the current K1M adapter provides that.)
Like the A7R, the Sony A7S lacks on-chip phase-detection autofocus elements, so it uses the same "Fast Intelligent AF" as the A7R, a system based solely on contrast detection. Sony promises better autofocus performance on the A7S, though, thanks to the larger pixels on its new sensor. In fact, for low-light autofocus it should best any phase detection system on the market, able to focus right down to light levels of -4EV, with an f/2.0 lens. (This is the lowest-light AF capability we've ever heard of, by a full EV step.) 

Differences between the Sony A7S, A7R and A7
Camera	Sony A7R	Sony A7S	Sony A7
Body-only List Price	US$2,300	Unknown	US$1,700
Available in Kit with Lens	No	Unknown	Yes
Body Materials	Magnesium alloy	Magnesium alloy	Magnesium alloy and polycarbonate
Sensor Size	35.9 x 24.0mm	35.8 x 23.9mm	35.8 x 23.9mm
Sensor Resolution (Total)	36.8 mpix	12.4 mpix	24.7 mpix
Sensor Resolution (Effective)	36.4 mpix	12.2 mpix	24.3 mpix
Maximum Image Size	7,360 x 4,912 pixels	4,240 x 2,832 pixels	6,000 x 4,000 pixels
Standard ISO sensitivity (Still)	100 - 25,600	100 - 102,400	100 - 25,600
Expanded ISO sensitivity (Still)	50 - 25,600	50 - 409,600	50 - 25,600
Standard ISO sensitivity (Video)	200 - 25,600	200 - 102,400	200 - 25,600
Expanded ISO sensitivity (Video)	N/A	200 - 409,600	N/A
Electronic First Curtain Shutter	No	Yes, optional	Yes, optional
On-chip Phase Detect Pixels?	No	No	Yes
Continuous Shooting Rate (with continuous autofocus)	1.5 fps max.	2.5 fps max.	2.5 fps max.
Speed Priority Continuous Shooting Rate	4.0 fps max. (No Continuous AF)	5.0 fps max. (No continuous AF)	5.0 fps max. (Continuous AF supported)
Autofocus Type	Contrast Detection 25-points	Contrast Detection 25-points	Fast Hybrid AF 117-point (phase detect) 25-point (contrast detect)
Predictive Autofocus Tracking	No	No	Yes
Flash Sync Speed	1/160 second	1/250 second	1/250 second
Maximum resolution for HDMI live view	1,920 x 1,080 pixels	3,840 x 2,160 pixels	1,920 x 1,080 pixels
Video codecs	AVCHD / MP4	XAVC S / AVCHD / MP4	AVCHD / MP4
Maximum clip length	29 min. (AVCHD); 20 min. / 2GB (MP4)	29 min. (XAVC S); 29 min. (AVCHD); 20 min. / 2GB (MP4)	29 min. (AVCHD); 20 min. / 2GB (MP4)
120fps at 720p?	No	Yes	No
S-Log 2 gamma option	No	Yes	No
Picture profile function	No	Yes	No
Time code	No	Yes	No
Maximum Magnification (Playback)	23.0x	13.3x	18.8x
Battery life (Still)	340 shots (LCD) 270 shots (EVF)	380 shots (LCD) 320 shots (EVF)	340 shots (LCD) 270 shots (EVF)
Battery life (Video, clips with power-cycling and zoom)	60 min. (LCD); 65 min. (EVF)	60 min. (LCD); 55 min. (EVF)	65 min. (LCD); 60 min. (EVF)
Battery life (Video without power-cycling or zoom)	90 min. (EVF / LCD)	90 min. (EVF / LCD)	100 min. (EVF / LCD)
Weight (Body Only)	14.4 ounces (407g)	15.7 ounces (446g)	14.7 ounces (416g)
Weight (with battery and Memory Stick PRO Duo flash card)	16.4 ounces (465g)	17.2 ounces (489g)	16.7 ounces (474g)

In continuous shooting mode, the Sony A7S offers the same performance as the A7 before it: 5 frames per second in speed priority mode, which locks focus from the first shot in the series, or 2.5 fps with autofocus adjustment between frames.
CIPA-standard battery life for still shooting is rated at 380 shots per charge when using the rear-panel LCD, or 320 shots with the electronic viewfinder.
From all the above, it's clear that Sony had video recording -- and particularly 4K video recording -- firmly in mind when it developed the A7S. It'd be a mistake, though, to focus solely on that and assume that it's not a camera meant for still photographers as well.
The sensor's big pixels and special dynamic-range management capabilities mean it should provide unprecedented low-light capability for still shooters, too. And that's not to mention the possibility of very low noise levels when using high ISOs to freeze action under more moderate lighting as well.
Sony has yet to announce pricing for the A7S, or when it should be available. Once the company does so, you can expect to hear that information on our news page, and in our ongoing review! We can't wait to get this camera in the lab for testing!

The Sony A7S is clearly aimed at videographers -- but it offers a whole lot that should prove very exciting to stills photographers, too!